
The Midwest's Premier Klezmer Band Since 1983
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Bob Samborski
Trombone
Bob Samborski (Trombone) joined Maxwell Street Klezmer Band in 2007. If you want to know which band member is Bob, just look for the guy who can’t stop dancing to the music that he is playing! Learn more about Bob’s musical roots and journey in this interview.
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What's your musical background, and what brought you klezmer and Yiddish music?
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Bob: I have always loved to play music. I received my first musical instrument–a little toy xylophone–at the age of two or three, and I loved banging away on that. When I was a little kid and we would visit my grandfather at the synagogue where he worked, I couldn’t wait to find a piano in a classroom and try to teach myself to play.
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We moved to Skokie when I was in 4th grade, which was lucky because 4th grade was when they started recruiting the kids for the East Prairie School Band, where I started playing trombone.

Being a small kid, my arms couldn't extend the slide all the way out, but I loved practicing and making funky sounds (driving my family nuts, I think). I also discovered guitar at about age 10. I continued playing trombone and guitar into high school, took private lessons, and even learned the baritone horn.
At the University of Illinois in Champaign-Urbana, I majored in music education with instrumental emphasis, playing in as many ensembles as I could. While at college, I was fortunate to be one of the musicians that some well-known musical stars would use to fill in their bands when touring in the Midwest (including Elvis Presley, Cab Calloway, Anita O'Day, and many others). Great experiences.
Moving back to Chicago in the mid-70’s, I played in a high-powered jazz group led by Bob Perna, played commercial jingles, and began playing in the Jack Kramer Band (which I continue playing in to this day). While on a gig with Jack, I met Lori Lippitz and the Maxwell Street Klezmer Band, and in 2007, was honored to become their first-call trombonist. Wow!!!

Playing all kinds of music with the klezmer band has brought back some experiences from my childhood, growing up in a home where music was always at the forefront. Our little radio in the kitchen played pop music of the day: Doris Day, Perry Como, and Frank Sinatra. On television, I was exposed to music on shows such as Dinah Shore, Ed Sullivan, and Lawrence Welk. My mother, a Holocaust survivor who emigrated to America after World War II, had a beautiful singing voice. She would always be the featured performer at family gatherings and simchas. I am certain that is the source of my Jewish musical roots. My Mom used to sing in the house constantly. She loved Yiddish tunes like “Sheyn vi di Levone” and “Bei Mir Bistu Sheyn.” She also improved her English skills by singing American pop tunes.
Can you share more about your mother: where she was born, her experience during the War, when and how she escaped, and if she ever talked to you kids about it?
My mom, Nechama, was from a tiny town in Eastern Poland called Bubar, and grew up with her younger sister and her parents. She always had a great love of music, and had been studying violin when, in September of 1939, the Nazis invaded Poland. Her parents had to flee in a hurry, hoping to get as far away from there as possible, realizing the great peril they would be in if they chose to stay. One important memory that she conveyed to me, which will stay with me until I die, was how the last thing she remembers looking at before leaving home forever was her precious violin hanging up on the wall. She had to leave it behind, but she and her family survived. The shtetl of Bubar was wiped out in WWII.
They and several other Jewish families made their way on a dangerous journey by foot, freight and by cattle car to the east and north, winding up somewhere in Siberia, where her family shared a freezing one-room shack with another family for the duration of the war. Food was often scarce during those years, and sometimes, the only thing they had to eat was soup made from onions and water–maybe a potato if they were lucky. She remembered days that she and her sister had nothing at all to eat and cried themselves to sleep. Both her parents did what work they could find to barter for food and clothing.
After the war, the family made their way west, living in what they call “D.P.” camps (Displaced Persons) with thousands of fellow refugees. First in Austria (where, to the best of my knowledge, my Mom met, fell in love with, and married my father, Chemya), and later in Stuttgart, West Germany (where my brother, Albert, was born in 1948). Finally, in 1949, they managed to make their way across the Atlantic to America, settling in Chicago, where I was born.

Why do you enjoy playing with Maxwell Street Klezmer Band?
Playing in the band has done so much to bring me back to my Jewish roots, and has infused a lot of joy into my life. The wonderful musicians in the band are like family to me. And the beautiful people for whom we perform at simchas help to make my life more beautiful. Lori has been a friend and a mentor to me (and to so many others)–it's simply a joy. Plus, I am constantly learning and growing musically in “MAX” (as we call the band).
What do you enjoy about playing for Weddings and Bar and Bat Mitzvah Parties?
There is so much joy at these life-cycle events. Performing at each of these events renews a sense of peace within my soul, and replaces my worries with the joy of living.
What is something about you that people may not know?
I took up the upright bass during the COVID-19 pandemic, and currently play it with a local amateur Bluegrass Band.
Are there a few highlights or funny moments from performances with Maxwell Street Klezmer Band that you'd like to share?
One of my favorite memories was when we played a concert in the Joliet area for a totally non-Jewish audience, and we received at least two standing ovations. After the concert, a lot of folks came up to the stage and asked for our autographs and just wanted to tell us how much they enjoyed the show. It made me feel so great.
Another highlight for me would be when, at one of the more recent Jewish Festivals, Rabbi Joe Black called me "the most joyous musician in Klezmer.” That was so cool, especially coming from such a great musician and human being.
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As far as funny moments go, there have been so many–especially working side by side with Ivo Braun (trumpet)–that I couldn't begin to come up with one that stands out. ​​

Is there anything else you'd like to add?
This happy experience–being a member of the great Maxwell Street Klezmer Band–is one of the highlights of my life. It’s a family that is full of love, joy, warmth, support, and, of course, incredible music.